Each month, The Stone House Center for Public Humanities interviews a humanities scholar or community member and asks them everything from why they believe the humanities are important to what they're currently binge-watching. We hope that our new blog series, Coffee & Questions, will inspire you, introduce you to a variety of people and fields, as well as create new conversations. This month's guest is Michael Dittman, a writer and English Professor who lives in Butler, Pennsylvania. He’s always looking for the next project that gets him too excited to sleep at night. Sometimes it's writing the next book (He is the author of Jack Kerouac; A Biography, Masterpieces of the Beat Generation, and Small Brutal Incidents), hacking together tumblr projects like Ithagram and Pictsburgh, blogging about arts and culture (He reviews comic art exhibits and scholarship for the International Journal of Comic Arts), or experimenting with lo-fi video and photography. Michael is also a member of our Community Advisory Board. Find him at michaeldittman.com What inspires you in your current position/role? This semester in a class discussion I started talking about the American Suffragettes’ “Night of Terror” in 1917 to contextualize a piece of literature we were reading. As I talked about how these women were tortured because they wanted the right to vote, one of my students, an Army vet returning to college after several combat tours, said “Wait? This was in America?” We had an incredible discussion about the American experience and how it does (or doesn’t) get expressed in literature. In one moment, this man who had several lifetimes of experience fighting for democracy had a completely different world opened to him and he dove right in to try to understand the world of people who had never crossed his mind. Moments like those keep me coming back to the classroom. What work experiences (past or present) have been the most educational for you, and why? Working as a writing center tutor at Slippery Rock University showed me what I wanted to do and gave me the chance to figure out best strategies for helping other express themselves and their lives. Working as a roofer taught me that there was no way I could do that sort of work for the rest of my life. What project(s) are you currently working on? A story map of Stewart O’Nan’s novel Snow Angels. The book is set in Butler. When the map is completed, it will collect all the places mentioned in the book and included images of what the places looked like during the time the book is set as compared to today through interactive maps and scenes with rich multimedia content to make connections in the story more clear and to spark a discussion about nostalgia, among other ideas. As Umberto Eco writes, “Every text, after all, is a lazy machine asking the reader to do some of its work. Why do you believe that the humanities are important to everyone, and not just people in academia? We have made our worlds very small through the technological creation of ideological walled gardens. Google has convinced us that knowledge and wisdom are the same thing and easily accessible through a click. Yet, most of life’s deepest experiences can’t be reduced to an algorithm. The humanities enable us to share lived experiences and create empathy within informed citizens. What is something that people might be surprised to learn about you (hobby, skill, interesting story)? I swim and paddleboard competitively – a couple of years ago I was nationally ranked. The look of doubt in my students’ eyes when they hear this fact out never fails to destroy my ego. What shows are you currently binge-watching? As a huge comic nerd, I’m embarrassed to say I just finished The Punisher. I took a long break with Hell on Wheels and so had to start over at the beginning and I just started Babylon Berlin What is your first thought in the morning and last thought at night? “Why did I stay up so late?” and “Man, I’ve got to go to bed soon.” What's a book you've always wanted to read but haven't gotten around to? Moby Dick. Every summer I promise myself that this will be the year and every summer it sits unopened and mocking on my nightstand. What is the funniest thing that has happened to you recently? While hiking with my wife on a trail a little north of Pittsburgh, we came around a curve to find a youngish couple coming up the hill on the trail towards us. Completely naked. We paid each other our “Good mornings” while all of us refused to admit that there was anything unusual happening. What is the worst job that you had while working through your degree and what would you tell your past self now? I took care of a colony of capuchin monkeys. They loathed me and never lost an opportunity to steal my glasses or pull out large chunks of my hair when I was in the enclosure with them. If I could talk to the 19 year old, I’d tell him, “You think this is bad, wait until we end up at that restaurant.” Can you describe another aspect of your life or career that is influenced or enriched by the humanities that people would find surprising? I’m a photo enthusiast. I eschew digital techniques to instead work with photographic processes that re over 100 years old. Studying and documenting the human experience through two dimensional images and the interplay between photographer and subject is a profoundly humbling experience with an outcome that is also uncertain. That uncertainty is key to my art and also to the interaction between humans that is expressed through the humanities. ~~~ Check back next month for more Coffee & Questions. In case you missed our previous interview with Cindy Lacom click HERE.
2 Comments
If you want to build a team of innovative problem-solvers, you should value the humanities just as much as the sciences, says entrepreneur Eric Berridge. He shares why tech companies should look beyond STEM graduates for new hires -- and how people with backgrounds in the arts and humanities can bring creativity and insight to technical workplaces.
Check out his informative TED Talk here. Thanks for stopping by the CPH yesterday. We had a great turnout and Loki loved all of the attention. He especially liked giving kisses to everyone who stopped by! And taking selfies with students! Don't forget head rubs! Special thanks to Joseph Anzelone from University PR for taking such great pics of the event!
Stitches in Time, a unique exhibit featuring historic textiles from the 18th and 20th century, recently visited the Old Stone House in Slippery Rock. In case you missed it, check out our latest video of the event below.
To learn more about our upcoming events click here! Only 7 days left to donate to our NEH Humanities Ladder Access Challenge Grant! We only need $1,900 to unlock the full 100K grant.
The grant funds will be used to support our flagship program, The Humanities Ladder, which benefits low-income and underserved high school students. Hurry and make your donation today.
In the early 1980s, State Senator Tim Shaffer, working with the administration of Slippery Rock University, arranged a lease agreement that would allow the university to administer the site while the museum authority in Harrisburg retained ownership. Eventually, SRU President G. Warren Smith recognized the potential of the property for furthering the educational mission of the university, and in 1999 SRU took over ownership of the site.
To learn more about the Old Stone House, visit: http://oldstonehousepa.org/about/
Each month, The Stone House Center for Public Humanities interviews a humanities scholar or community member and asks them everything from why they believe the humanities are important to what they're currently binge-watching. We hope that our new blog series, Coffee & Questions, will inspire you, introduce you to a variety of people and fields, as well as create new conversations. Our guest this month is Cindy Lacom, who has taught at Slippery Rock University for 25 years. She integrates gender and feminist issues into her teaching and scholarship, and has a deep interest in Disability Studies. She is fascinated by questions about how different bodies are invested with varied meanings as cultural texts (in terms of access to or denial of power, stigma and the "management" of that stigma, how we might change prejudice and bias). Cindy is also a member of our Community Advisory Board. What inspires you in your current position/role? I often say, "I have the best job in the world," and I mean it. What inspires me? SRU students, who regularly impress and move me, compel me to think and re-think my positions and ideas. I am motivated as well by many of my colleagues, who work tirelessly for social justice. My mom also inspires me because she is so fierce. What work experiences (past or present) have been the most educational for you, and why? Teaching is at the center of my life, frankly, and it has informed me in myriad and profound ways. Though we tend in academe to frame "teaching" and "learning" as classroom activities, I'm reminded daily that both activities occur all around us. One instance occurred when I was an undergrad. My Philosophy prof posed this question to us: does philosophy belong in the marketplace or the ivory tower? A couple nights later, I was playing pool in a really dumpy bar and listened to two men talking about life choices (one man's daughter had just gotten married because she was pregnant). They interrogated the ethics of her choice, the ethics of their judgments, the degree of her individual agency, and the merits and drawbacks of marriage as in institution. I wrote my paper the next night, and my response was squarely in the "marketplace" box. My work for non-profits has also fostered insights and shaped my goals. I don't think idealism and pragmatism are mutually exclusive, though I probably once did. But what I have learned in an exec board capacity for non-profits is that a mission is almost certainly bound to founder without strategic goals, specific policies, and economic and social sustainability. Dreams and passion are key, but a vision for social justice change has to supported by practical details to thrive. What project(s) are you currently working on? I'm working with an SRU alum on a paper which we just presented at the Southeast Women's Studies Association Conference that explores the limits of Black men's power in hip-hop culture. We apply the theories of Bakhtinm Marx and Foucault to argue that their power is limited in a capitalist culture and that hip-hop, owned and managed overwhelmingly by white men, is produced as spectacle as an instance of carnival. A former Gender Studies GA, Natalie Drozda, and I just submitted a paper titled "Masculinity and Mass Shooters" to the Journal of Gender Studies and are hoping that they'll accept that for publication. We presented at SRU on the topic three years ago and thought the topic was interesting enough to pursue. Unfortunately, we are reminded of the relevance of the topic almost daily. Most recently, I've begun doing research on gendered torture and hope to present on that at next fall's National Women's Association Conference. Why do you believe that the humanities are important to everyone, and not just people in academia? I'll use an example from the field of Disability Studies as an example to explore this question. Because the Humanities invite us to consider something like statistics within a historical, philosophical and embodied framework. Reading Disability Studies scholar Lennard Davis's "Constructing Normalcy" reminds us that statistics is not value-neutral but has been used to produce and maintain norms in everything from BMI to productivity ratings to intellectual measure that contribute to ableist biases that understand disability as "less than." Because reading feminist philosopher Julie Kristeva allows us to integrate ideas of abjection when we analyze the creature in Mary Shelley's Frankenstein in trying to figure out, "Why might Victor Frankenstein's recoil from his 'child' be so extreme when it first comes to life? What about the creature marks it as 'monstrous'?" What happens when, in psychology or therapeutic/rehabilitative/medical fields, we use the discourse of "recovery"? How might that reinforce ableist stereotypes that disabilities is something that needs to be "cured"? How might scientists benefit from understanding their unconscious bias in research on sexuality? None of these questions are discipline-specific; all of them have answers which are enriched by a Humanities perspective. What is something that people might be surprised to learn about you (hobby, skill, interesting story)? I'm an avid hiker and camp every summer in the mountains of northern California. What's a book you've always wanted to read but haven't gotten around to? Great question. Narrative of the Life of Frederick Douglass. What is the worst job that you had while working through your degree and what would you tell your past self now? I worked as a telemarketer for two weeks. it was soul-destroying. I thought I needed the money but we were ripping off vulnerable people in what amounted to a money-making scheme. I wouldn't have any advice for my past self because I had to work that awful job to decide that I would hopefully never do anything like it again. ~~~
Check back next month for more Coffee & Questions. In case you missed our previous interview with Shawn Francis Peters click HERE. In his seventh year at Slippery Rock University, Professor Timothy Oldakowski returned to twelfth grade, not for the second time, but for a third. Say what?!
Each week, Professor Oldakowski teaches literature at Aliquippa High School through the Humanities Ladder program. We are pleased to share a special article about the program by Katelynn Kletzli, Engagement Coordinator GA for the Slippery Rock University, College of Liberal Arts. Don't forget to make your donation to support this valuable program. We are only $2,175.00 away from hitting our fundraising goal for the
NEH Humanities Ladder Access Challenge Grant! Click here to make your donation! |
about us
Our vision is to create a community of learners enriched, engaged and enlightened through the humanities. Archives
March 2021
Categories
All
|